The final paper in this Digital Methods panel is by Axel Maireder and Stefan Schlögl, whose interest is in the #aufschrei discussion about sexism in German politics. How did this emerge from a small-scale conversation on Twitter to a major trending hashtag, and subsequently to a cross-media event, over the course of a few hours? What happened here was the growth of a communicative network in the form of a partial public or issue public related to the topic on Twitter, interleaved with other publics as enabled by the conventional mainstream media.

New forms of discussion fora and spaces …

The next presentation in this Digital Methods panel is by Christoph Neuberger and Sanja Kapidzic, whose focus is on the question of how to define themes and topics in online communication. Using single keywords to define topics is too simplistic, and there often is an implication that we know what a topic is when we see it - but what exactly is a topic?

Sometimes, specific labels do emerge for given topics, which makes tracking them easier, but these labels themselves may evolve. In live topics it becomes necessary to track these themes and continue to update the markers of …

The next panel at the Digital Methods conference begins with a panel by Theresa Sauter and me, on the viral distribution of links to the video of Julia Gillard's "misogyny" speech in 2012 as it was posted in full on the ABC News site. Unfortunately the audio recording didn't work out, so below are the slides only - do make sure you click on the links to see the video and the animations of the emerging retweet network.

After the “Compromised Data” symposium in Toronto I’ve made my way over to Europe, where my first stop is a PhD symposium in Copenhagen where I’ve been invited to present an update on my work on produsage. Here, I’ve revisited the fundamental concept of produsage and made the link to my current work on the uses of social media, especially in a journalistic context. Slides and audio below:

The next "Compromised Data" is Mariluz Sánchez, who is taking a socio-semiotic approach to the intersection between television and the Internet. This transforms the concept of interactivity, revolutionising reception and enabling the development of transmedia storytelling where viewers develop relationships with the content through various platforms.

Various resources are available to viewers online, promoting consumption and building loyalty towards the programming. Industry is now providing direct access to audiences, and viewers' ability to provide direct feedback can be seen as a form so social empowerment. Mariluz analysed these resources by examining the resources listed on the first five …

The next speaker at "Compromised Data" is Robert Gehl, whose interest is in critically reverse-engineering social media as a form of critiquing and producing alternatives to current social media platforms. This builds on reverse-engineering approaches in engineering, economics and law, on science and technology as well as software studies, and on critical humanism.

Reverse-engineering is a method of producing knowledge by dissociating human-made artefacts. Such knowledge is then used to produce new associated artefacts that bear some relation to the old. Some reverse-engineering has merely functional and pragmatic reasons, but in other cases reverse-engineering takes a more critical …