Streaming Media

The next speaker in this session at the ECREA 2026 conference in Brno is Bjarki Valtysson, whose focus is on regulating the cultural production of Danish influencers, with a case study of parents and child influencers Jas and Mika, who construct a platforms ecosystem based on perceptions of family life, authenticity, and intimacy, while promoting brands, products, and commercial ventures. This takes place in a legislative grey zone.

These influencers have some 317,000 YouTube subscribers, which has very large by Danish standards; they post long (~25 minutes) videos on YouTube and Instagram every Sunday morning (and their dog has his …

The next speaker in this session at the ECREA 2026 conference in Brno is the great Anja Bechmann, who adds some empirical data on how younger users are actually engaging with social media platforms. The focus here is on Danish users aged 18-35, and on YouTube, and on users with ‘deviant’ personality profiles including extroversion and neuroticism.

This study worked with some 1,000 Danish participants who donated log files of YouTube use and engaged in a 25-minute survey about their usage practices; this enabled the project to examine, for instance, the time spent on the platform at various times in …

And the next speaker in this session at the ECREA 2026 conference in Brno is Felix Gaisbauer, whose focus is on the supply of and demand for political content on TikTok. This is often tested here using sockpuppet studies that test what kind of content the TikTok algorithm serves users; here, sockpuppet accounts that displayed a right-leaning accounts have at times been found to receive more recommendations for politically aligned content than right-leaning accounts. This could also simply result if there is more right- than left-leaning account on the platform, though.

This ‘algorithmic supply’ thus intervenes between content supply and …

The final speaker in this session at the ECREA 2026 conference in Brno is Cristina Monzer, with a comparison of TikTok aesthetics in political videos between Norway and Romania. The first question, of course, is how we might do this, in practice – there are many new computational tools emerging for this now, but most of these also remain untested to date.

The use of TikTok for political communication is characterised by personalisation, a focus on everydayness, and uneven patterns between politicians of different genders. Politicians must use visual cues in such videos as identity markers that signal alignment with …

The next speaker at the ECREA 2026 conference in Brno is Nico Spreen, whose focus is on the use of TikTok by populist parties in Germany during the 2025 federal election. TikTok may be expected to be especially valuable as a campaigning tool for populist parties, given its personalised, emotionalised, and algorithmically amplified content processes. Also, both the left-wing Linke and far-right AfD are especially popular with voters under 25, so there is substantial overlap between their voter bases and the TikTok userbase.

What shape does their populist communication take, then? Such communication usually employs people-centrism, anti-elitism, and an exclusion …

It’s a sunny Wednesday in Brno, and we’re starting the ECREA 2026 conference proper now. I’m in a session on the political uses of TikTok, which begins with Eduard-Claudiu Gross, on the situation in Romania. Romania annulled the first round of its presidential election in December 2024, due to a massive Russian election interference campaign, and TikTok played a role in this; the re-run in May 2025 took place in this complicated and polarised political and media environment.

This study, then, gathered some 50,000 TikTok videos from June 2024 to March 2025, from 1,000 authors, and from these examined the …

The next speaker at the DigiWorld network ECREA preconference on election campaigning in Brno is Kajsa Falasca, whose focus is on TikTok engagement ahead of the upcoming Swedish election. TikTok analysis is complicated, and requires an attention to multimodal content; this study employed an approach called Multimodal Narrative Mapping, using a methodological approach which automatically scrolls through videos and analyses the content of the videos displayed.

In this sense, then, TikTok changes both the process of campaigning and the object of analysis: content served to users extends beyond the accounts that users themselves follow, and is also determined by what …

And the final speaker in this session at the Social Media & Society conference in Glasgow is Nadia Urban, whose focus is on algorithmic grooming and governance in social media cultures. Such processes require users to actively infer and internalise algorithmic norms: to learn the algorithm and bend it to their own ends.

But this cuts both ways: there is a conditioning mechanism in the everyday interaction between users and algorithms which also grooms the users. Algorithms produce social order in social media environments, while users are also active interpreters of these algorithm’s functionality; what is missing is a better …

The next speakers in this session at the Social Media & Society conference in Glasgow are Carlos Entrena-Serrano and Tom Wright, whose interest is in TikTok creators’ response to the Trump government’s efforts to affect how TikTok works. Both Trump and Biden pushed for a change in ownership in TikTok’s US operations during their Presidencies; this has the potential to profoundly affect millions of users, especially if it ends up changing what content is promoted by the platform.

TikTok is now a sociotechnical assemblage that is deeply embedded into the lives of its many users; efforts to change how it …

The next session at the Social Media & Society conference in Glasgow starts with Areyana Proctor, whose focus is on racialised misogyny in the digital Manosphere: misogynoir. This is also a branding and monetisation strategy in digital content creation which is deliberately embraced by some influencers in the Manosphere.

Platform moderation is a specific risk faced by content creators, and misogyny towards women of colour is seen as a lower-risk approach, and an engagement tactic. Areyana explored this through a content analysis of some of this content, focussing on the YouTube channels of content creators with various racial identities. She …