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Streaming Media

Snurb — Friday 7 July 2017 13:16

From Talk-Back to Facebook Live: Politicians' Strategies for Bypassing Journalistic Scrutiny

Politics | Elections | Government | Journalism | Social Media | Streaming Media | ANZCA 2017 |

The final paper in this ANZCA 2017 session is presented by Caroline Fisher, whose focus is on Australian politicians' approaches to bypassing the scrutiny of the parliamentary press gallery. This is based on a set of 87 interviews with key media actors from the Howard era, including the former Prime Minister himself, as well as on an analysis of the social media activities of five Australian political leaders and interviews with their press secretaries.

Politicians have always sought to control the information flows that cover their activities; through social media they have become more easily able to bypass conventional journalistic …

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Snurb — Friday 7 October 2016 02:28

Twitter Discussions about the Launch of Netflix in Italy

Social Media | Streaming Media | Twitter | AoIR 2016 |

The second speaker in this AoIR 2016 session is Fabio Giglietto, who shifts our focus to Netflix. This was launched in Italy in October 2015, and has become especially popular with young adults in the 18-24 age range. There has been a growth in the practice of binge-watching TV series as part of this adoption process, too – and other online video providers have also become available in Italy, along with unauthorised sources.

Italian users have been especially attracted by the content discovery features that Netflix provides – especially the algorithmic recommendations of new shows to watch based on …

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Snurb — Wednesday 25 May 2016 01:25

Explaining Viewing and Sharing Dynamics for YouTube Videos

Streaming Media | WebSci '16 |

Finally for this session at Web Science 2016 we move to Sebastian Stommel, who begins by considering what we mean by Web science in the first place. He suggests that 'big data' serve as a macroscope: a new way of looking at things at scale, and an opportunity to create generative models to explain digital traces.

The study applies this philosophy to the analysis of YouTube videos, which have a defined posting date and properties such as the number of views (indicating attention) and shares (indicating word of mouth). A generative model to explain such metrics over time could be …

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Snurb — Tuesday 24 May 2016 01:09

Automated Assessment of the Validity of Content Take-Down Notices?

Streaming Media | Intellectual Property | Digital Rights Management | WebSci '16 |

The next WebSci 2016 paper session starts with a presentation by Pei Zhang, which introduces what she calls the Content-Linking-Context model, or CLC. The context for this is legislation such as the Digital Millennium Copyright Act (DMCA) and the European e-Commerce Directive, as well as various national legislation in the EU.

The DMCA requires services providers to take down content on request expeditiously, even without verification of copyright infringement claims, and providers such as Google and Dailymotion are known to act on such requests, but there is little information about the criteria they use to vet requests. Can automated systems …

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Snurb — Monday 23 May 2016 23:09

Patterns of YouTube Video Ad Consumption

Streaming Media | WebSci '16 |

The next paper in this WebSci 2016 session is presented by Mariana Arantes, whose interest is in the matching of video ads to YouTube videos. Such ads are displayed before some YouTube videos, and they can often be stopped after a set number of seconds. How do users consume these ads? How does their popularity change over time? What is the relationship between videos and ads, and does a better content match mean that ads are more likely to be watched all the way through?

It is difficult to investigate this given the poor range of data provided by the …

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Snurb — Monday 26 October 2015 02:19

Netflix and the Geoblocked Internet

Streaming Media | Intellectual Property | AoIR 2015 | Television |

The next speaker in this AoIR 2015 session is Nicole Hentrich, who shifts our focus to the problem of geoblocking in accessing televisual content online. Such Internet content is still controlled on a geographic basis; the Internet is thus not experienced the same by everyone, on both an individual, regional, and national basis.

Even when new services enter a local market – as Netflix did in Australia earlier this year – these issues do not go away. Netflix became officially available in Australia in March 2015, though some 200,000 subscribers had already been using it through VPNs – more than …

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Snurb — Monday 26 October 2015 02:17

The Commodity Flow of Netflix

Streaming Media | AoIR 2015 | Television |

The second session on this final day of AoIR 2015 starts with Camille Yale, whose focus is on Netflix. Netflix represents a rearticulation of the commercial media system, rather than a revolution: it has an intense commodity orientation, global ambitions, and oligopolistic practices; it claims for itself that it is democratising entertainment, however.

Such language is driven largely by its Chief Product Officer Neil Hunt. Under him, Netflix has defined its own version of media commercialism, but operates much like a regular media conglomerate: it engages with other streaming companies, commodities audience labour, and replaces overt advertising with covert 'commodity …

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Snurb — Tuesday 29 October 2013 05:18

Reaching for the Higher-Hanging Fruit in Twitter Research

'Big Data' | Social Media | Social Media Network Mapping | New Media and Public Communication (ARC Discovery) | Streaming Media | Twitter | Compromised Data 2013 |

The next paper at the "Compromised Data" symposium is by Jean Burgess and me, and explores the more difficult forms of 'big data' research we're rarely conducting at present because the political economy of data access is weighted against specific approaches - in the specific context of Twitter research. I'll upload the slides and audio for it as soon as possible - for now, consider this a placeholder! Slides and audio below:

Easy Data, Hard Data? Twitter Research and the Politics of Data Access from Axel Bruns
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Snurb — Friday 25 October 2013 04:18

The Emergent Rules of Games Spectatorship

Produsage Communities | Online Games | Streaming Media | AoIR 2013 |

The next speaker at this AoIR 2013 panel is T.L. Taylor, focussing here on spectatorship in gaming. The mix of playing and watching has always been central to gaming as a social activity, but game studies has always privileged the hands on the controller; spectatorship has traditionally also relied on physical co-presence (e.g. at gaming championships).

But now there are sites like Twitch, which enable gamers to make their private play public as a livestream, and even to make money in doing so, as a spinoff from JustIn.tv. The site currently has some 600 unique broadcasters per month …

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Snurb — Sunday 21 October 2012 23:43

Civic Engagement on YouTube?

Politics | Social Media | Streaming Media | AoIR 2012 |

The third speaker in this AoIR 2012 session is Sharon Strover, who begins by noting a racist YouTube video which complained about Asian students in the UCLA library and rapidly generated a substantial number of response videos; this can be seen as a form of civic engagement which must be distinguished from political participation.

Online spaces generally aren't very good at sustaining Habermasian qualities of political discourse – reciprocal, open, equal and rational discussion – but rather enable the formation of ephemeral groups which actualise interaction through content production and consumption in networks of information flows. This does not usually …

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Beyond Interaction Networks: An Introduction to Practice Mapping (ACSPRI 2024)

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Untangling the Furball: A Practice Mapping Approach to the Analysis of Multimodal Interactions in Social Networks (Social Media + Society)

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Inside the Moral Panic at Australia's 'First of Its Kind' Summit about Kids on Social Media (Crikey)

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Brightest before Dawn (CD, 2011)

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Gatewatching and News Curation: The Lecture Series

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