The next paper in this ANZCA 2017 session is by my colleagues Brenda Moon, Ehsan Dehghan, and me, and I'm presenting it, so I won't liveblog it, of course. Below are the slides, though:
The final paper session at ANZCA 2017 starts with Caroline Fisher and Glen Fuller, whose focus is on Australian Prime Minister Malcolm Turnbull's conversations about the National Broadband Network project on Twitter. Turnbull was a comparatively early adopter of social media, and one of the big challenges in becoming PM was whether he would continue to use Twitter in the way he had before, or would lapse into a more broadcast-oriented tweeting style.
Turnbull's social media activities can be understood as an attempt at authentic engagement, and he has at times engaged in real conversation with interlocutors on the …
The third paper in this ANZCA 2017 session is by Stephen Harrington, Tim Highfield, and me, and I'm including our presentation slides below. We explore the #milkeddry campaign initiated by Australian news entertainment TV show The Project.
The Project, which has been running on Network Ten since 2009, combines panel discussion on current news and entertainment matters with celebrity interviews and comedy; it is influenced in part by overseas formats addressing a young adult audience, like The Daily Show, but also clearly distinct …
The final speaker in this ANZCA 2017 session is Scott Wright, who presents the framework for a new study on 'fake news'. He begins by asking whether there is a 'fake news' problem in Australia: the country is highly politically polarised, with decreasing satisfaction in the conventional party system; online news plays a crucial role in how citizens inform themselves; and the mainstream media system is highly concentrated. In this environment, is there still a functioning marketplace of ideas?
It is necessary, then, to study the nature, virality, and impact of 'fake news', but also the media coverage of such …
We’re already deep into February 2017, but I thought I’d finally put together an overview of what I’ve been up to during the past year, at least as far as research outputs are concerned. It’s been a busy year by any measure, with a number of key projects coming to completion; research publications from some of these are still in production, but here’s what’s already come out.
New York: Routledge, 2016.
