The next speaker in this Social Media & Society 2024 session is Jessica Crosby, whose focus is on Tumblr. She is interest in online audiencing through Tumblr, especially amongst millennial audiences; platforms such as this enable a performance of the self, but are also complicated by a context collapse between performance and private interactions.

Tumblr is used to think out loud for an anonymous but receptive audience; it has accumulated a cult status amongst creative communities and has accumulated a particularly young, queer, and creative audience. Tumblr presents a continuous stream of content from the Tumblr blogs users follow, and …

I’ve arrived at the University of Urbino for the inaugural AoIR Flashpoint Symposium, our new initiative that highlights important current issues in Internet research through one-day, concentrated events. This year’s symposium operates under the title “Under the Radar: Private Groups, Locked Platforms, and Ephemeral Contents.”

The first keynote at the AoIR Flashpoint Symposium is by Crystal Abidin, whose focus is on Internet celebrities. There are a number of different types of such celebrities, from well-recognised global celebrities to more niche micro-celebrities who are known mainly to a specific subculture. These people cannot be identified from their engagement metrics alone …

I missed most of the first talk in the post-lunch panel at AoIR 2018, but here we go with Sophie Bishop’s paper on sponsored content on YouTube, in the context of beauty vloggers. Fans of these vloggers generally understand that such content is often commercially sponsored and supported in some form; they are very active in policing vloggers’ behaviours, establishing appropriate boundaries of authenticity in this space.

Such boundary-setting takes place in a range of online fora away from YouTube itself; here, fans critique their influencers (sometimes quite harshly) and discuss the limitations and implications of commercial sponsorship …

The next speaker at AoIR 2018 is Mariëlle Wijermars. She continues our focus on the recent Russian election, and shifts our attention to banned presidential candidate Alexey Navalny and the role of YouTube in his campaign and related political activism.

Russians have used a range of platforms for political activism in recent years, including (in roughly chronological order) LiveJournal, VKontakte, Facebook, Twitter, YouTube, Instagram, and Telegram; this is also driven in part by the rapid expansion in Internet regulation in the wake of some of the earlier protest movements. Russia enforced a ‘bloggers’ …

The third speaker in this Social Media & Society 2018 session is Lea Stahel, who begins with the story of two Muslim schoolkids in a Swiss school, who refused to shake the hand of their female teacher for cultural reasons. This was settled quickly within the school itself, but was raised again out of context by online media coverage some three months after the event, demonstrating how non-mediated and mediated contexts can diverge in the digital age.

There is a perception of legitimacy at the macro-level that influences particular publics’ judgments and actions, and that is affected in turn by …

A few weeks ago I visited Israel to present a keynote at the inaugural Haifa-LINKS Symposium on Content Producers. The keynote draws on my new book Gatewatching and News Curation: Journalism, Social Media, and the Public Sphere, and focusses especially on the news industry’s responses to the growing role that gatewatching and newssharing via social media play in the dissemination of news and related journalistic content. The presentation slides are below.

Following the initial scepticism about (and, in some cases, belligerent dismissal of) social media as a new channel for journalistic activity – a response that mirrors past …