Industrial Journalism

The next session at IAMCR 2024 is on media framing, and we start with Henri Mütschele, whose interest is in the German media portrayals of the Fridays for Future and Letzte Generation protest movements in the ‘protest winter’ of 2022/23. Germany has a long tradition of climate protests, but these groups have very different approaches to their protests: from socially acceptable demonstrations to more radical and disruptive blockage actions.

In winter 2022/23, against the context of the European energy crisis brought on by the Russian war on Ukraine, there was a heightened rate of protests by such groups, and these …

The final speaker in this IAMCR 2024 session on Ukrainian cultural heritage narratives is Dmitry Romanenko, whose focus is on Chinese narratives on the Russian war against Ukraine.It has already been observed in some studies that Chinese media like the Global Times usually take a pro-Russian stance that’s justifies the war in Ukraine; however, an alternative perspective is that China’s public messaging is predominantly designed to promote its own, and not Russia’s, interests, and that it does not explicitly endorse the war. Whose narratives is China telling, then? What is their message, and can it be contested at an international …

The third speaker in this IAMCR 2024 session on cultural and heritage narratives surrounding the war on Ukraine is Shalabh Chopra, who begins by highlighting the changes in global power structures; in this the newly multipolar world the Global South is not readily on the side of the west in major conflicts, and may therefore also be less sympathetic towards Ukraine in the current war.

This can also be observed for the case of India. India has a long history of non-alignment, and has had historically good ties with the USSR; it has engaged in diplomatic efforts surrounding the war …

The next speaker in this session at IAMCR 2024 is Mia Angeline, who continues the theme of the arming of Ukrainian cultural heritage from the perspective of Indonesian media. Indonesia is a rising, non-aligned power in the Global South, and has a growing influence in global fora. Its historical experiences have influenced this non-alignment, and its vibrant and diverse cultural heritages may increase its sympathy for the cultural heritage concerns of other countries.

How do Indonesian media frame Ukranian cultural heritage in the context of the war, then? This might be understood in the context of agenda-setting (on salient issues) …

The post-lunch session that I’m attending at IAMCR 2024 is on communication around the war in Ukraine, with a particular focus on cultural heritage; I stars with Natalya Chaban. Russia’s full-scale invasion of Ukraine has presented a new challenge here: a weaponised state is threatening Ukraine’s history and culture, and heritage sites are not simply collateral damage but are being actively targetted by Russia’s unprovoked aggression. Culture itself is thus a driver of conflict.

But the reconstruction of such cultural heritage is also already being planned, and must be done in the most protective and thoughtful way, also supported by …

The final speaker in this IAMCR 2024 session is Lihan Yan, whose focus is on tweets in the 2020 US presidential election. She uses the perspective of narrative economics as a framework for interpretation here, combined with the cascading network activation model: this indicates how frames are activated by the elite, and disseminated through news media to affect the public’s political decision-making process.

From this perspective, elite narratives from one or another side of politics can influence media narratives, and this in turn influences public narratives; there is therefore likely to be a narrative competition between elites as they seek …

I presented the second paper in this session, on patterns of communication in the failed 2023 Voice to Parliament referendum on improving representation and participation for Australia’s Indigenous peoples. As part of this we also developed a new methodology we describe as practice mapping – more detail on this later. Here are the slides:

The next speaker at the final P³: Power, Propaganda, Polarisation ICA 2024 postconference session is the excellent Helena Rauxloh, with a paper on radical climate protests. Just recently, for example, the Just Stop Oil protest group recently defaced the Stonehenge standing stones, and received some very negative news headlines for this action – yet many of the headlines covering these protests did not even identify what these protests were about. Such radical protests can be compared against more conventional and largely non-disruptive protests like Fridays for Future.

These protests engage with journalism as an arena for and driver of polarisation …

The next speaker at the P³: Power, Propaganda, Polarisation ICA 2024 postconference is Henri Mütschele, whose focus is on the interplay between traditional and social media in positional polarisation. What are the opinion dynamics in networked publics? This project focusses on positional or ideological polarisation, two concepts which are often used synonymously, and sees polarisation as a process in which positional distances between two entities are growing.

Such polarisation need not be symmetrical between the groups involved, and can be measured along two dimensions: along a left-right political scale and along a GAL-TAN scale that examines the political values of …

The next speaker in this P³: Power, Propaganda, Polarisation ICA 2024 postconference session is Ruth Moon, whose focus is on the role of journalists as authoritarian actors. Journalists have an important democratic role to play, but this is complicated when they work within authoritarian regimes, and democracy can decline even in countries where there is relatively high media freedom. Further, of course, ‘media’ is not a monolithic entity: media are themselves diverse and have various understandings of and approaches to democracy.

This means that we need to unpack the idea of ‘free media’ and examine the ways in which journalistic …