Produsage Communities

The next speaker in this AoIR 2023 session is Cindy Fang, whose interest is in the early days of the Clubhouse social media platform – an invite-only audio app that became popular during the COVID-19 pandemic and attracted a number of high-profile users (including Mark Zuckerberg and Elon Musk). This userbase can be understood as a networked public, structured by the platform’s affordances – or in this case, networked listeners and active producers of content.

Clubhouse also provided a sense of community, with audio streams and comments on that content; this produces some social capital for prominent participants which is …

The final speaker in this AoIR 2023 session is Allegra Rosenberg, whose interest is in fan art. This is now a big business, with fan-created fiction and fan-created imagery being provided for pay on various platforms. This is not uncontroversial, however; the fan site Archive of Our Own (AO3) has a long-standing ban against linking to for-profit sites, for instance.

But there has also been a slower commercialisation of fan content from the bottom up; this shows the increasingly normative acceptance of commercial exploitation. Fan sites for specific cultural phenomena are often run in collaboration with commercial interests, for instance …

The next speaker in this AoIR 2023 session is Kyle Moody, who shifts our focus to branding and consumption markets in cultures; much fandom is tied up with such branding activities. In particular, the focus here is on Twitch, where affective labour and fan work collides with the gig economy of media content creation.

Twitch has made the individual easier to reach (and achieve reach) than ever before; most streamers are not backed by major gaming companies, but act as single agents who create gaming broadcast content and in doing so must adopt and follow certain performance practices: this may …

It’s that time of the year, and I’m in Philadelphia for the 2023 conference of the Association of Internet Researchers (continuing my 21-year streak of attending AoIR), which starts in earnest with the keynote by Aymar Jèan ‘AJ’ Escoffery. His focus is on reparative media, and he begins by noting that it feels like our collective harms are intensifying. This is exacerbated to some extent by corporate media, who often distribute the equivalent of fast, globally consumable food rather than slow and locally relevant content. This perpetuates injustices which require a particular approach to repair, including grassroots (re)distribution.

Power in …

The next speaker at the 2019 AoIR Flashpoint Symposium is Theodora Sutton, who has studied a digital detox event in the San Francisco Bay area, Camp Grounded. This takes place in nature and bans digital technology, real names, work talk, watches, and drugs and alcohol.

Theodora used this event as a starting-point for an ethnographic exploration both of the Camp Grounded experience itself and of the participants’ technology usage practices back in the everyday world. After the Camp Grounded experience, there was a flurry of Facebook friending between participants even in spite of the ‘no real names’ policy, which involved …

The first paper session after the opening keynote at the 2019 AoIR Flashpoint Symposium starts with Daphna Yeshua Katz and Ylva Hård af Segerstad, whose focus is on online support groups for stigmatised communities. They argue that such groups may actually limit these communities’ access to online support. This may be a problem related especially to scalability and searchability.

The project studied groups supporting anorexics, people in treatment for infertility, bereaved parents, and Israeli army veterans with PTSD, across a variety of platforms. It explored how media affordances determine the online boundary work of such online communities, by undertaking a …

I’ve arrived at the University of Urbino for the inaugural AoIR Flashpoint Symposium, our new initiative that highlights important current issues in Internet research through one-day, concentrated events. This year’s symposium operates under the title “Under the Radar: Private Groups, Locked Platforms, and Ephemeral Contents.”

The first keynote at the AoIR Flashpoint Symposium is by Crystal Abidin, whose focus is on Internet celebrities. There are a number of different types of such celebrities, from well-recognised global celebrities to more niche micro-celebrities who are known mainly to a specific subculture. These people cannot be identified from their engagement metrics alone …

At the conclusion of my travels in Canada and Europe, I’ve made my way to Lugano for ECREA2018. We start with the first of two keynotes, by Eszter Hargittai, whose focus is on the digital divide in online participation. The fundamental question here is who benefits the most from Internet participation, and who does not: do participation divides facilitate social mobility or reproduce social divides?

The key point here is that digital divides cannot be solved by mere connectivity: getting online does not equate to using the Internet effectively and efficiently. Rather, such uses continue to be moderated by …