As we’re hurtling down the last few hours towards 2013, it seems like a good idea to take stock of what was an incredibly busy 2012. Here, then, is a round-up of all (I think) of my publications and presentations for the year, organised into loose thematic categories. In all, and with my various collaborators from the ARC Centre of Excellence for Creative Industries and Innovation and beyond, I seem to have generated some 4 book chapters, 12 journal articles, 22 conference presentations and one major report – and that’s not counting various articles in The Guardian, The Conversation …
The final paper in this ECREA 2012 session is by Rosa van Santen, whose interest is in when journalists consider politicians' statements as newsworthy. In particular, this focusses on the parliamentary questions of MPs in France, the Netherlands, and Germany, and examines the content of the question (criticism, attribution of competence or incompetence, causal attribution), the actors involved (government or opposition, ministers or minor parliamentarians), and the preceding media coverage leading up to the question. Does critical questioning of government actors lead to more media attention, for example?
At the macro level, are there differences between the countries? In some …
The third speaker in this ECREA 2012 session (I'm afraid Blogsy swallowed my notes on John Downey's very interesting presentation on the BBC's coverage of the Arab Spring – sorry) is Ingrid Dahlen Rogstad, whose interest is in the role of Twitter in political agenda-setting in Norway. Can new mediaspheres challenge the dominance of conventional media gatekeeping practices? This is also a question about how new media and mainstream mediaspheres overlap, of course.
Ingrid engaged in a manual coding of mainstream and online media news as well as of the 1,500 most retweeted tweets during a specific time period; she …
The second keynote speaker in this ECREA 2012 plenary is Daya Thussu, whose interest is in the internationalisation of media studies, with specific reference to China and India. Where we are today in terms of global media is a mix of material of Hollywood-imported or -inspired programming (in music, television, films, news, sports, children's programming, and also in online media); the US continues to dominate the entertainment industry, in particular.
In news and current affairs, the US and UK form a duopoly of dominance; the world's top five media companies are based in the US. But this status quo beginning …
