For the final Social Media & Society 2024 session today I’m in a panel on online music cultures, which starts with Jenessa Williams, whose interest is in how fans decide to continue or discontinue their fandom for artists accused of sexual misconduct, especially also in the context of changing music consumption habits. The focus here is on smaller, genre-specific cases rather than widely publicised allegations against superstars.
This identified three main modes of reaction, involving cancellation, confliction, and anti-cancellation: cancellation involved feminist-coded rage, disappointment, and betrayal, and was expressed in strong and absolutist phrasing and explicit actions of condemnation (binning …