Blog

Berlin.
The second keynote at the Berlin Symposium this morning is by Philipp Müller, who will argue for the idea of ‘open statecraft’ in a networked world. He suggests that our world has become ‘unfiltered’ through the move from mass to networked and social media; the appropriate description for this is not simply many-to-many or few-to-few media, but n-to-n media, where all sorts of power games in pursuit of communicative impact, visibility, and success take place.

There are also some cognitive lags here – we’re missing a framework that allows each of us to work in these worlds …

Berlin.
The second day of the Berlin Symposium begins with a keynote by Rebecca MacKinnon, who begins with the story of an arts installation, the Berlin Twitter Wall, which reflected on the fall of the Wall in 1989 through the medium of Twitter. As it happened, though, the hashtag #fotw (fall of the wall) was taken over by Chinese Twitter users, protesting against the continuing censorship in China; this cold war view of state censorship as an ‘information curtain’, and of digital media as the samizdat of the day, continues to permeate today.

But this ‘iron curtain 2.0’ …

Berlin.
The second speaker in this (really productive) session on crowdsourcing at the Berlin Symposium is Malte Ziewitz, whose interest is in the application of crowd wisdom to regulatory problems. Crowdsourcing itself isn’t actually all that new – there have been questions about the wisdom or folly of crowds for a very long time already, and ‘the crowd’ has been positioned as a problem (the uninformed mob) as much as as a solution (drawing on folk knowledge and commonsense).

Current thinking on crowd wisdom comes variously from management science, computer science, and economics (painting crowdsourcing as an engineering challenge, focussing …

Berlin.
The next session at the Berlin Symposium is on crowdsourcing, involving two speakers (there’s also a lot of discussion, which I’m not blogging here.) We begin with Katarina Stanoevska-Slabeva, who begins by introducing the range of related concepts which describe the broad field of crowdsourcing. The Net is diminishing transactional costs for communication, collaboration and coordination; this facilitates collaboration amongst disparate stakeholders and provides more opportunities for individuals to participate. As a result, innovation has been democratised – indeed, users are becoming ever more important as innovators.

Internet-enabled innovation can be used as an umbrella term for these processes …

Berlin.
Now that the Berlin Symposium is properly underway (congratulations to all concerned!), I’ve made my way into the workshop session on social media governance. The featured speaker in this session is Niva Elkin-Koren, whose research is on governance structures within social media themselves. Social media participants in the first place constitute an unorganised crowd outside of traditional organisations – from open source development outside of companies to political action outside of traditional parties, as we have seen in various countries around the world over the past twelve months. This can lead to real political change, as well as to …

Berlin.
The first keynote of the Berlin Symposium is by Oliver Gassmann, whose focus is on societal innovation. He notes the changes to communication which are associated with the popularisation of the Internet over the past twenty years; when the Berlin Wall fell in 1989, for example, there were no online platforms to tweet the news; there was no Google to search for information with.

In 2010, some 107 trillion emails were sent; Facebook has 800 million users (and 35 million update their profiles every day); but we still don’t live entirely ‘virtual’ lives – rather, the Net has become …

Berlin.
I’m in Berlin for the opening of the new (Google-sponsored) Institute for Internet and Society, a very exciting new research initiative which was launched today. The launch itself is accompanied by the three-day Berlin Symposium, which will map out some of the research agenda of the Institute, and the Symposium opens with a few statements of intent by the founding directors.

Jeanette Hofmann begins by highlighting her research interests – including issues of privacy, and broader online regulation (including co-regulation with users and operators, beyond state regulation itself – what Jeanette calls ‘online ordering’). Other key areas …

Briefly back in Australia, yesterday I went down to Sydney to speak at the Australian Society of Archivists’ 2011 Symposium (staged at the fabulous Luna Park venue). My paper was meant as an urgent call to action on the question of archiving public activities in social media spaces – so much material which will be of immense value to future researchers is being lost every day if we don’t get our act together very soon; we can’t wait for the lumbering beast that is the U.S. Library of Congress to do the job for us, however fulsomely they’ve promised to …

Seattle.
The final paper at AoIR 2011 is presented in absentia of the original authors, who were led by Muhammad Abdul-Mageed, and focusses on the use of Twitter during the continuing Arab Spring uprisings. It examines the linguistic features of the forms of Arabic used in these tweets, as well as the topics and sentiments expressed. The authors examined some 2000 tweets sampled at random from some 233,000 tweets gatered between November 2009 and February 2011. Tweets were coded for topic across a range of thematic categories, for language (standard vs. non-standard Arabic), and sentiment (objective, subjective; positive, negative, neutral …

Seattle.
The penultimate speaker at AoIR 2011 is the awesome Zizi Papacharissi, whose interest is in self-performance on Twitter. Performance, she says, is public dreaming: everyday life is a theatre, and online, too, we are performing a networked self. We do this towards a blend of imagined as well as actual audiences, evoking a type of public dreaming.

Performance theory tells us that individuals live by performance – every little gesture is a little performative, and performances are inherently self-reflexive. We have a repertoire of performative actions, and play out an ‘as if’ element in our behaviours.

Online, performative …