Social Media

The final speaker at the Social Media Access Days at the German National Library today is Kristina Petzold, whose focus is on the question of whether music-related user-generated content can be seen as cultural heritage – this includes, for instance, some of the creative content generated and shared during the COVID-19 pandemic, and is part of post-digital everyday practice.

This includes content remixes, memes, and mashups, and is therefore highly referential; it is culturally relevant (and the cultural relevance of remix practices is now formally recognised under German law); but it is also highly ephemeral, especially where it exists in …

The next speakers in this session at the Social Media Access Days at the German National Library are Gabriel Viehhauser and Carl Friedrich Haak, whose interest is in making use of donated social media data – the concrete context here is that the Austrian author Clemens J. Setz, who has at times posted some of his short-form work on Twitter, has donated his archive of tweets to a library in Vienna, which was unsure about what to do with this gift.

Such work is diverse in its formats; further, Setz is author, but also interlocutor, curator, recipient, object of mentions …

The second session at the Social Media Access Days at the German National Library begins with a paper by Mia Berg and Oliver Vettermann, whose focus is on social media data scraping, with a particular focus on TikTok. TikTok does offer an API for data access (at least in Europe), but unfortunately it remains severely limited and unreliable; this is problematic given that many user practices and content formats are in urgent need of further analysis. One example of such a content genre is AI-generated video content, such as POV videos that purport to imagine historical situations.

Manual data gathering …

The next speaker in this session at the Social Media Access Days at the German National Library is Katharina Maubach, whose focus here is on data formats for archiving social media data. She works with a project exploring liking activities on social media platforms, especially relating to content from news sites; this covers Disqus, Facebook, YouTube, Xitter, and Instagram.

Ideally, such a cross-platform dataset should be shared with other researchers under FAIR principles (findable, accessible, interoperable, and reusable), but under the Terms of Service of such platforms and their data access conditions this is very difficult; the focus of Katharina’s …

It’s a chilly Tuesday in Frankfurt, the Matildas just advanced to the final of the 2026 Women’s Asian Cup, and I’m at the opening of the Social Media Access Days at the German National Library, co-organised by my dear friend Katrin Weller from GESIS, the Leibniz Institute for the Social Sciences. The programme begins with a day in German, and opens with a paper by Pascal Siegers, who introduces the AVERA project. This emerged from a federal ministry project supporting the collection and sharing of data from research projects on racism and far-right extremism, and a first need it …

It's mid-February already, which means that here at the QUT Digital Media Research Centre we've just concluded another very engaging DMRC Summer School, with participants from around the world – many thanks to everyone who joined us for this.

One of the new segments in the programme this year was a session on 'Re-Thinking Media for the Platform Age', with several contributions from DMRC research leaders on current topics of interest. In my own talk for this, I revisited the idea of the public sphere once again, continuing a thought process that spans from my Information Policy article in …