You are here

Television

The (Under)representation of Women Politicians in Italian Talkshows during COVID-19

The next speakers in this ANZCA 2023 session are Carlotta Antonelli and Mauro Bomba, whose interest is in the dynamics of the political discourse around the COVID-19 pandemic in the main talkshows on Italian TV, with particular focus on the positioning of women with political roles in such discourse. In such contexts, media serve in a function as representatives of public views and responses to the issues they themselves cover.

Challenges to Local TV in Indonesia from Digitisation

And the final speaker in this COMNEWS 2023 session is Setio Budi H. Hutomo, whose interest is in the digitisation of local television in Indonesia, and its impact on democratic processes. This system was affected by the 2002 broadcasting bill, which introduced private, community, and subscription broadcasting in addition to public service media. This has an impact especially also on local media, including local television.

Towards a Reparative Media System

It’s that time of the year, and I’m in Philadelphia for the 2023 conference of the Association of Internet Researchers (continuing my 21-year streak of attending AoIR), which starts in earnest with the keynote by Aymar Jèan ‘AJ’ Escoffery. His focus is on reparative media, and he begins by noting that it feels like our collective harms are intensifying. This is exacerbated to some extent by corporate media, who often distribute the equivalent of fast, globally consumable food rather than slow and locally relevant content. This perpetuates injustices which require a particular approach to repair, including grassroots (re)distribution.

Power in the media and cultural industries is located in their cultural distribution systems (from development through production, distribution, and exhibition, to audiences, and thence repeating the cycle. This is true for all major platforms, including for example Netflix and other streaming services, which are often integrated with the major production studios to create a Hollywood-style streaming studio system (if not yet as well established).

The creators involved in these processes usually have no right of ownership over their creations; this is especially problematic for women and minority groups, and does not tend to produce diverse content. Minorities also remain underrepresented at the executive producer level. This also produces various other harms to them, for instance at personal, physical, and psychological levels; it also results in reductive storytelling that privileges a handful of major and often simplistic narratives.

Reassessing the Landscape of Transnational News Broadcasting

The final speaker in this Future of Journalism 2023 conference session is Jasmin Surm, whose interest is in recent changes to global television news. The transnational TV news landscape has changed profoundly in recent times – with more highly ideological content and more overt alignment with political agendas.

More ‘Fake News’ Research, and a PhD Opportunity!

For those of you who have access to Australian television, this is an advance warning that the research on coronavirus-related mis- and disinformation that my colleagues and I at the QUT Digital Media Research Centre have conducted during the first half of this year will be featured prominently in tonight’s episode of the ABC’s investigative journalism programme Four Corners, which focusses on 5G conspiracy theories. A preview is below, and I hope that the full programme may also become available without geoblocking on ABC iView or the Four Corners Facebook page. The accompanying ABC News article has further information, too.

 

 

Related to this work, and the ARC Discovery research project that supports it, we are now also calling for expressions of interest in a three-year PhD scholarship on mis- and disinformation in social media, which will commence in early 2021. Please get in touch with me if you’re interested in the scholarship:

 

PhD Scholarship: ARC Discovery project on Mis- and Disinformation in Social Media (PhD commencing 2021)

The QUT Digital Media Research Centre is offering a three-year PhD scholarship associated with a major ARC Discovery research project on mis- and disinformation in social media. Working with DMRC research leaders Axel Bruns, Stephen Harrington, and Dan Angus, and collaborating with Scott Wright (Monash University, Melbourne), Jenny Stromer-Galley (Syracuse University, USA), and Karin Wahl-Jorgensen (Cardiff University, UK), the PhD researcher will use qualitative and quantitative analytics methods to investigate the dissemination patterns and processes for mis- and disinformation.

Tweeting Strategies by Spanish TV Football Shows

The next speaker in this IAMCR 2019 session is David Puertas Graell, who shifts our focus to the use of social media in Spanish sporting journalism. Such journalism is an important part of the contemporary media environment, and has a very large mainstream and social media audience, but remains substantially underresearched.

Binge-Watching as a Social Practice

The final session at IAMCR 2019 for today starts with George Anghelcev, whose focus is on binge-watching. There has been a major shift over the last decade in how audiences view serialised video content, from being constrained to the regular timeslots for TV series to on-demand viewing of multiple episodes in single sittings. Some three quarters of U.S. TV consumers now binge-watch, and the numbers continue to rise – contrary to earlier news coverage, this is not a minority practice.

'Post-Truth' in the 1994 South African Election

The final speaker in this Future of Journalism 2017 session is Bernadine Jones, who takes us back to the 1994 South African 'miracle election', with a particular focus on global north television reporting of the election.

The Project and Its Attempts to Initiate Connective Action

The third paper in this ANZCA 2017 session is by Stephen Harrington, Tim Highfield, and me, and I'm including our presentation slides below. We explore the #milkeddry campaign initiated by Australian news entertainment TV show The Project.

The Emerging Role of Social Media Editor in Germany TV News

Up next at ECREA 2016 are Oliver Hahn and Isabelle Brodeßer, whose interest is in the emergence of social media editors in German TV newsrooms. Such editors do not generate content, but are tasked with identifying user-generated content on social media that can be introduced into the broadcast news coverage. But there are problems here with verification, as well as with the identification of the original authors of such content, both of which are very important in news contexts.

Pages

Subscribe to RSS - Television