One more post before I head home from the AoIR 2015 conference in Phoenix: during the conference, I also received my author’s copy of Hashtag Publics, an excellent new collection edited by Nathan Rambukkana. In this collection, Jean Burgess and I published an updated version of our paper from the ECPR conference in Reykjavík, which conceptualises (some) hashtag communities as ad hoc publics – and Theresa Sauter and I also have a chapter in the book that explores the #auspol hashtag for Australian politics.
Up next in this AoIR 2015 session is Sava Saheli Singh, whose focus is on subverting social media. Our use of such social media, such as Twitter, is shaped by the biases built-in by the people who design these spaces; and these have changed over time. Users reinterpret and repurpose the features of social media spaces, so there is a constant struggle between platform providers and users.
In academic communities and elsewhere, there is a common use of Twitter called subtweeting: speaking about someone behind their back in as anonymous a way as to maintain plausible deniability; the same …
My QUT DMRC colleague Jean Burgess and I are next at AoIR 2015, presenting the core points from our chapter "Easy Data, Hard Data" in the Compromised Data collection. (The slides are below.) The chapter thinks through the pragmatics and politics of being social media researchers in a complex and precarious environment, and thus builds on David Berry's work on the computational turn in humanities and social science research.
This turn towards large data is instrumental as well as transformational – it has exciting practical dimensions as new but unevenly distributed and challenging research opportunities arise, but …
The next AoIR 2015 paper is by Tim Highfield and me, and I'll add I've added our presentation slides below as soon as I can. The paper will also be a chapter in the forthcoming Routledge Companion to Social Media and Politics, which my colleagues Gunn Enli, Eli Skogerbø, Anders Larsson, Christian Christensen and I have edited – and which will appear in early 2016.